Bib-Laura-graphy

February 8, 2010

Superbowl Sunday Links

Filed under: links — Laura Koenig @ 12:41 am
  • I’m currently working on a project with Ari and Doret to take a closer look at each of the major publishing house’s lists.  We’re looking for books that have diverse characters, and also for a diversity of experiences in books about characters of color.  If you think of any books published between 2007 and 2010 featuring people of color that might not be easily identified from the flap copy or reviews, please leave the name of the books in a comment here or at Ari’s.
  • XKCD on what happens when the fantasy novel is over.
  • Whitewashing isn’t the only racism we see on book covers.  Check out this post on the consistent use of stereotypes on the covers of books with Asian authors of settings.
  • At the SFWA, writer Nisi Shawl shares some tips on writing about people from other races and cultures in a way that is sensitive and sincere. (Hat tip to Mitali Perkins)
  • A fun conversation between Justine Larbalestier and Sarah Rees Brennan on their very different writing styles.
  • This is exactly why librarians need to be at the front line of school improvement efforts.  (Hat tip to Jen Robinson.)
  • I’m sure that you’ve all heard more than enough about the Macmillan/Amazon kerfuffle.  In case you’re looking for more, here are three smart takes on what happened and why: Cory Doctorow, Scott Westerfeld, and Tobias Buckell.
  • It’s nice, every once in a while, to have somebody who’s not a librarian putting into words the vibrant community that you should see in a modern library.  Thanks to the writer of this editorial, No Silence at the Library Suits Me Just Fine.
  • 8-bit library wants to broaden readers advisory – why not base advisory services on a video game or a movie?  I find this can be a great way to get a kid talking about what they like when they’re not a big reader – I haven’t met a kid yet who won’t tell me about their favorite game, tv show, or movie.  I love the idea of taking that one step further and creating advisory lists and resources.
  • Some very cool design going on over here, with bookmarks that extend the book cover.  I want! (Hat tip to Fuse #8)
  • Publisher’s Weekly has got the goods on Libba Bray’s upcoming series, which sounds AMAZING.  A supernatural thriller set in ’20s Manhattan that features, in the words of the woman herself, “a wild new ride full of dames and dapper dons, jazz babies and Prohibition-defying parties, conspiracy and prophecy—and all manner of things that go bump in the neon-drenched night.”  Wow wow wow YES!
  • Adam Rex presents his first Bookalike – pictures sent in from a reader who is pretty sure that the main character in The True Meaning of Smekday was based on her.  I’m convinced!

February 2, 2010

January ‘10 Reading Log

Filed under: reading log — Laura Koenig @ 4:04 am

YA

Middle Grade

Kids and YA Nonfiction

Graphic Novels

Adult Fiction

Adult Nonfiction

Didn’t Finish

Currently Reading

February 1, 2010

Last Night I Sang to the Monster by Benjamin Alire Sáenz

Filed under: benjamin alire saenz — Laura Koenig @ 8:55 am

“I have it in my head that when we’re born, God writes things down on our hearts.  See, on some people’s hearts he writes happy and on some people’s hearts he writes sad and on some people’s hearts he writes crazy and on some people’s hearts he writes genius and on some people’s hearts he writes angry and on some people’s hearts he writes winner and on some people’s hearts he writes loser…  And it’s all pretty much random.  He takes out his pen and starts writing on our blank hearts.  And when it came to my turn, he wrote sad.” (pg. 11)

Zach is 18 years old, and instead of spending his senior year in Mr. Garcia’s English class or hanging out with his friends, he’s spending it with Adam, his therapist in rehab.  Zach can’t, or won’t, remember the events that brought him to the clinic.  In fact, much of his time is spent trying not to remember anything at all.  But the memories of his life before – of his loving but alcoholic father, of his distant and sometimes abusive mother, of his troubled older brother Santiago who holds the whole family hostage to his terrible anger – keep creeping in.

The first few chapters of Zach’s narration are told in language that is fragmented, dense, and repetitive.  Brief memories float up to the surface, like the little pieces of paper Zach imagines covering the world with words.  While the language brings the reader deeply and authentically inside the mind of a troubled young man, it is also really difficult to read.  I almost gave up.  I’m so glad I didn’t.  Because as Zach peels away the barriers that he has put up – whether it is the barriers created by the haze of bourbon and cocaine that was his life before rehab, or the mental barriers that he uses as protection from his own past – this novel grows from a profoundly sad portrait of young man and blooms into something much more.

Zach certainly can’t be considered lucky in his life, but he does have the good fortune to meet a few people who truly see him as he is.  His English teacher, Mr. Garcia, sees through to the bright, creative young man who hides behind silence and sadness, and he reaches out to him.  Adam, the therapist at Zach’s rehab clinic, also sees past Zach’s many barriers and tries to help him break past them. But there is one person who actually reaches past those barriers and touches Zach.

Zach’s roommate in rehab has the name of an artist or an angel, and to Zach he is both of those things.  As Zach learns Rafael’s heartbreaking story, and watches this man who should be broken fighting to conquer his monsters and live his life, Zach begins to search for the strength in himself to face his own past, and maybe his future.  Their relationship becomes the emotional heart of the story, even more than the traumatic event that Zach has buried deep in his mind.  While the reader has seen the depth of Zach’s internal life, he has not been able to share any of his struggles with others.  Rafael is the first person who convinces Zach to share what is buried inside of himself – both the good and the bad.  It is a relationship that is truly transformational, and it is written with deep emotion and grace.

This is a devastating, crying-on-the-subway kind of book, but it ends on a note of hope – and not one that felt forced or false.  Despite his many trials and tribulations, Zach is a beautiful young man, and Sáenz tells his story in a way that will stay with the reader.

Benjamin Alire Sáenz on the web

January 24, 2010

Lazy Saturday Links

Filed under: links — Laura Koenig @ 12:29 am
  • Uri Shulevitz shares a really interesting tutorial on storyboarding and layout for picture books.  I love how he talks about the movement and rhythm over the course of the book.
  • This trailer from the New Zealand Book Council is so unbelievably cool.  (Hat tip to Anne Mazer)
  • A transcription of How to Destroy the Book, Cory Doctorow’s must-read speech on the future of books and copywright.  If you only visit one link in this post, make it this one.
  • I really really really really want this to be the next Pigeon book.  Make it happen, Mo!
  • The Onion has got our number.  This absolutely cracked me up.  Green Man jumps HIGH!
  • There were a lot of delightful tributes to our former Ambassador of Children’s Literature earlier this month, but my favorite was Book, Booker Bookest on learning how to spell Scieszka. (Which, I’m proud to say, I can do without looking!)  Also check out a collection of his video highlights at Fuse #8.
  • Even before the most recent cover controversy really got going, there were a couple of very thoughtful posts going up around the blogosphere about the representation of people of color in kids and YA lit.  I would especially recommend Chasing Ray’s post Demand Diversity in Publishing and Reading in Color’s post on people of color in historical novels.
  • A really wonderful story from Carol’s Corner about two things you might not think go together: promoting reading and lowriders.  These are the moments that make it worth doing.
  • On Booklist, Anastasia Suen shares a list of early chapter books and easy readers featuring multicultural characters.  I definitely plan to add some of these to my collection – the ones we have are constantly in use.
  • Maureen Johnson tries to kill Printz-winner Libba Bray, using an unexpected method.  And if that’s not enough Libba-Bray-awesomeness for you, read her post on winning the Printz.
  • The Coretta Scott King award overwhelmingly goes to repeat winners, with over 60% of the illustrator awards going to the same 11 people.  And while this is definitely an issue that the CSK committee needs to look at, it’s as much of a message for publishers.  Where are the new authors and illustrators of color?

January 18, 2010

8th Grade Superzero by Olugbemisola Rhuday-Perkovich

Filed under: african-american, middle grade, olugbemisola rhuday-perkovich — Laura Koenig @ 8:07 am

“‘When I was little I thought God was like a superhero,’ I say, keeping my eyes down.  He doesn’t respond, so I look up.  ‘I wanted to be a superhero, too.  Not like I wanted to be God, I mean.  Just… you know.  I wanted to have some kind of power that zapped everything perfect.’” (page 111.  Quoted from ARC – language may change.)

That’s Reggie.  He writes about a superhero called Night Man, hangs out with his intensely socially-conscious best friend Ruthie, and mostly tries to stay out of the way in school. Apparently, he also likes to spend his time making unsuspecting librarians fall completely head-over-heels for him.  I honestly can’t remember the last time I was so charmed by a character.  From the very first page, Reggie McKnight put some kind of vice grip around my heart and didn’t ever let go.

Reggie had no intention of running for class president.  In fact, ever since a public speaking incident on the first day of school that led to his nickname – Pukey – Reggie has done whatever he can to stay out of the spotlight.  He’s certainly not looking for responsibility – not in the school government, or at the homeless shelter where his church youth group volunteers.  But other people in his life recognize what Reggie does not – that his strong sense of empathy, his willingness to put others first, and his ability to work hard when he cares about a task make him a natural leader.  And while his parents, teachers, and friends have never forced leadership on him, they are more than willing to push Reggie along when he finally decides that he’s seen enough of the status quo and begins to seek out ways to foster change in his school and community.

My favorite thing about Reggie is his willingness to change his mind.  Not in a wishy-washy way – in an open-minded way that many adults still haven’t figured out.  And when he screws up – which he certainly does, sometimes – he has the guts and the grace to admit to his mistakes and work to fix them.  As Reggie figures out while talking to his partner in a Big Brother-type program,

‘Even Night Man makes mistakes.’

‘Even though he’s a superhero?’ asks Charlie.

‘Yeah,’ I say.  ‘Being brave enough to make mistakes is, um, um, part of what makes him a superhero.’ There’s a click in my brain when I say that. (page 184.  Quoted from ARC – language may change.)

This is a book that doesn’t shy away from touchy subjects – religion, unemployment, race, homelessness, and bullying are all part of Reggie’s story.  But Rhuday-Perkovich has a light touch, and works with these topics in a way that is very personal and never without humor.  Religion, for example, is an important part of Reggie’s life, and is written about in a way that is forthright and positive while still allowing space for questions and doubts – something that is too rare in books for children that have a religious element, which so often seem either blandly proselytizing or flatly anti-religion.  (On a side note – I do think this is changing, with wonderful books like this one, Once Was Lost by Sara Zarr, Marcelo in the Real World by Francisco X. Stork, and others coming out recently.)

While Reggie’s background as a Jamaican-American is central to who he is, it isn’t what the story is about.  Stories about slavery or racism can be great books, but those are stories that obviously can’t be told without characters of color – and those subjects are at the center of the majority of books for children that feature African-American characters.  This is a story that could easily have been told with a white protagonist, and it’s important that it wasn’t – kids of color have many experiences and stories to tell, and I hope that we will continue to see more and more books that reflect the variety of those stories.  (Especially if those books are as good as this one!)

While the topics that the book tackles are important and are handled with grace, it is the characters who make this book special.  Every character is nuanced, and almost every character surprised me at some point in the book.  The novel is populated by characters like Reggie’s father, with his hierarchy of Caribbean countries (and as a man of Jamaican ancestry, you can guess what country he puts on top!) and his frustration during a period of unemployment; George, an addict from the homeless shelter where Reggie volunteers who, despite his grumpiness, has an incredible capacity to create a feeling of hope in a tough situation; and Reggie’s older sister, who is transitioning from terrifying star-athlete to still-terrifying-but-maybe-not-really girly girl. But the core of the story is with Reggie and his two best friends, Ruthie and Joe C.  They’re three very different kids, and sometimes those differences can threaten to pull them apart – when Ruthie tries to forcibly drag her friends into her one-woman revolution, or when white Joe C. tries to teach his black best friends about the history of hip-hop, or when Reggie grows out of the project that was the initial connection between himself and Joe C.  But they are three truly good-hearted young people who care about each other deeply.  It is only with the support of this network of friends, family, church, and others that Reggie can grow into himself and become a confident young man.  They help him learn that he doesn’t have to be a superhero to make a difference in his world.

I know that it’s only January, but I cannot imagine many better books for young people being published in 2010.  In fact, I would count this among the best middle grade novels I have ever read.  One year from now, I hope that we will all be whispering about how 8th Grade-Superzero is poised to pick up some heavy hardware at the ALA Youth Media Awards.  (And now I’m off to bed so I can get up early for the ALA Youth Media Awards!)

Olugbemisola Rhuday-Perkovich on the web.

January 10, 2010

My 2009 Reading Year in Review

Filed under: reading log — Laura Koenig @ 3:00 am

2009 was the first year in which I kept a complete reading log, and I’ve been looking forward to taking a closer look at my reading habits.  In other words: fun with graphs!  Most of this is probably only interesting to me, but if you scroll on down to the bottom you can see a quick list of my fifteen favorite books read in 2009.  One other note: I did not keep track of picture books and easy readers, so none of those will be included in this little breakdown.

Books read in 2009: 221

Of those 221, 13 were re-reads.

I started an additional 6 books that I chose not to finish.  For some reason I thought this number was going to be much higher.

120 were from the library.  51 were review copies.  24 were purchased.  23 were mooched.  3 were gifts.

Of those 221 books, 195 were fiction.  (Ouch!  My reading goal for 2010 is definitely to add a little bit more nonfiction into that mix.)

More than 50% of the books I read in 2009 were Young Adult fiction.  Here’s the full breakdown:

My most prolific reading month was June, with 21 books read.  Least books read was a three-way tie between May, August, and November with 16 books read in each of those months.

While I started out the year reading almost entirely YA fiction, I’m glad to see that by the end of the year I had diversified my reading a little bit, adding more middle grade fiction and graphic novels - a habit I plan to continue into 2010!  The adult books are pretty steady, as I expected – I try to read one or two adult books every month.

Taking a closer look at fiction, since that was the majority of my reading, I can see that the genre I read most was contemporary realistic fiction, with fantasy close on its heels.  (Lots of these books, of course, fit in more than one category – I chose a primary category for each book.)

And finally as promised, here are my 15 favorite reads from 2009.  These are not necessarily published in 2009 – I’m just going on when I read them.  I did not include any re-reads in this list, and it is not in any particular order.

January 5, 2010

December 2009 Reading Log

Filed under: reading log — Laura Koenig @ 8:01 pm

YA

Middle Grade

Graphic Novels

Adult Fiction

Currently Reading

December 29, 2009

Magic Under Glass by Jaclyn Dolamore

Filed under: YA, fantasy, jaclyn dolamore — Laura Koenig @ 1:06 am

Ever since Nimira came to the country of Lorinar with the intention of making her fortune, she has been leered at, exoticized, and made to feel inferior by virtually everyone she meets.  While dancing with a troupe of fellow dark-skinned “trouser girls” from Tassim who are treated as a salacious novelty act, she dreams of being discovered by a gentleman who will care for her.  Nimira cannot imagine the turns her life will take when it actually happens.

Enter Hollin Parry: handsome gentleman, scholar, rich benefactor to young singers.  Nimira cannot believe her luck when Hollin asks her to accompany him to his manor house to sing along with his automaton, a strangely realistic mechanical man who plays tunes on the piano.  When she arrives, Nimira finds that her life at Hollin’s is not all it seems, and she begins to unearth his many secrets.

I was really excited when I thought that Hollin was going to be the bad guy.  Despite having made a couple of really bad choices in his life, he’s a genuinely likable character who seems to love Nimira for all the right reasons.  And there’s nothing I like better than a well-intentioned bad guy.  But there’s a much bigger villain pulling the strings – one who’s not likable in any way.  Hollin is still a believably conflicted character, both in his thoughts and actions, and I enjoyed seeing him struggle with his decisions.  Interestingly, I feel like I came away from the book with a better understanding of Hollin than either of the romantic leads.

The biggest secret Nimira unearths is the true nature of the automaton, which is really a fairy who is trapped inside a mechanical man by a curse.  It is not a surprise that Nimira, who has been made to feel like something inhuman for most of her life and now feels indebted to a man who she does not love, is immediately attracted to Erris, who is similarly trapped and without agency in this world.  However, I didn’t feel that love develop since their conversations were so short and stilted – for reasons that make perfect sense in the plot, but it still left me wanting more.  And let’s be honest, creating really great sexual tension is tough when one of the characters is made of metal and can’t move.  This was one of a few places where I would have liked a little bit further development, which would certainly have been possible in this very short book.  I didn’t find their budding romance unrealistic, I just didn’t feel like I saw it grow.

Despite the fast-moving pace of this short book, the world-building is really well done.  The reader gets a good sense of both Nimira’s home country and of Lorinar, and they are each given their own specific character and customs.  We haven’t seen much of the fairy world at this point, but I’m sure that it will be similarly developed in later books.  Dolamore did a really nice job of using the characters’ cultural backgrounds as a base for their personal viewpoints and choices – you could see the differences between the countries in the way that characters reacted to a situation, even when they are going against tradition.  I would have loved to hear more about the politics of Dolmore’s world.  Many political intrigues are hinted at in the book, and I hope that they will move to center stage as Nimira and Erris’ story continues.

I was shocked, only a few months after the cover change to Justine Larbalestier’s Liar, to see Bloomsbury publish another book featuring a dark-skinned, black-haired protagonist with a very white-looking girl on the cover – especially since this looks like it is a cover that was created with a dedicated photo shoot rather than using stock photos.  (I could, of course, be wrong about this not being a stock photo.)  I think it’s probable that the cover for Magic Under Glass was finalized before that controversy took place, but it’s still truly disheartening to see. I hope that we will see changes when the paperback comes out.

Review copy provided by publisher.

Jaclyn Dolamore on the web.

December 20, 2009

Lockdown by Walter Dean Myers

Filed under: YA, walter dean myers — Laura Koenig @ 2:23 am

Walter Dean Myers has written a new novel that will strongly appeal to teens who loved Monster.  I don’t really have to say anything else, do I? You’re going to buy this book and put it in your libraries and share it with your teens.  I know I can’t wait to do exactly that.

Like Steve in Monster, Reese is a kid who made a mistake and is facing consequences that are much bigger than he ever anticipated.  Now he’s finding out firsthand how one mistake can spiral into a lifetime of them.  Reese is in a juvenile prison for stealing prescription pads from a doctor and selling them to a local drug dealer.  He’s a good kid who was in a tough situation, trying to care for his younger brother and sister while also trying to keep any money he made out of his drug-addicted mother’s hands.  And he has committed what he saw as a victimless crime – if all went well, the doctor might never even notice that the pads were missing.

Reese is a pretty self-aware young man, and even considering his difficult family life he recognizes that it is ultimately his own choice that put him in his current situation.  What he did not anticipate is the repercussions of ending up in a jail system that seems designed to drag inmates further down.  And it’s not just the dimmed job prospects and difficulty of finishing high school after he gets out – so many decisions he must make every day do not have a good option.  Should Reese ignore it when gang members brutally beat up a defenseless younger kid, or defend him?  Reese cannot be passive in situations like these, and by trying to do the right thing he ends up making enemies of other prisoners while also getting himself labeled a troublemaker by guards and risking being sent to a more dangerous facility.  Reese is quickly finding out the truth behind some of his dad’s words: “One time when my pops wasn’t being too stupid he said the streets were like quicksand covered with whip cream. You knew when they were slowing your ass down, but it always came as a surprise when you got sucked under” (pages 98-99).

At least one person in the prison system recognizes some potential in Reese and presents him with an opportunity to keep from getting sucked under.  When Reese is selected for a program that sends young, nonviolent prisoners into the workforce during the day, he makes a connection in the nursing home where he is assigned to work.  Like Steve in Monster, Reese is starting to look at his life and experiences through a new lens – not through the literal lens that Steve used in his screenwriting and movie planning, but the lens of another person’s life experience.  Reese and Mr. Hooft, a grumpy old man who at first pushes Reese away with racist comments and needling remarks about prison, are both surprised by the similarities they discover in their lives.

And while Reese’s relationship with Mr. Hooft is illuminating, it is in his interactions with his younger sister Icy that he really shines.  Even in the times that Reese is most hopeless about his own future, he is determined to protect and support his funny, precocious baby sister in achieving her goals.  And we’re not talking about just any goals – we’re talking Princeton, following that up with the White House, and finally stopping war by giving everybody free food.  This girl is going places – and her big brother is going to make sure of it.  Reese’s life never feels hopeless as long as he sees the promise in this little girl who he loves so much.

Walter Dean Myers’ ability to channel the voice of urban black teenagers is second to none, and it is this skill even more than his choice of subject matter that makes his novels appeal so strongly to urban teens.  The really astonishing thing is that he doesn’t do it by using lots of slang or dialect, which would date the book quickly – it’s almost entirely in the rhythm of his writing, and it comes through both in the dialogue and in Reese’s narration.  The reader can hear Reese’s voice, and it makes his story so much more immediate and compelling.  And Reese’s voice and story are both worth hearing.

Walter Dean Myers on the web.

Review copy provided by publisher.

December 1, 2009

November ‘09 Reading Log

Filed under: reading log — Laura Koenig @ 8:46 pm

YA

Middle Grade

Graphic Novels

Plays

Poetry

Children’s and YA Nonfiction

Adult Nonfiction

Currently Reading

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